Friday, January 28, 2011

Nitro Circus Go Karts

the 2nd International Workshop Master Classes (Folk Dance)

under the
II International Festival Folk Dance in couple
The Festival of the Sun and Moon
Killa Inti Raymi 2011


16 to February 19, 2011

International Master Classes 2doTaller
) ( methods, techniques, Teaching, and proposal stage)



Grounds:
The workshop arose from the need to transmit a variety of methods and techniques related international stage to dance. It seeks to encourage, promote and analyze the dance work by reflecting on the important role of folklore in the development of identities of nations, through dialogue and the provision of new teaching strategies. Di

rigid to:
Classroom Teachers of the various levels of education, Education through Art and Art Workshops, Cultural Promoters, Artists, Directors of Schools, Workshops Artistic, Cultural Promoters, Directors of local government culture, art students, artists and audiences interested in the field of arts education.

Duration:
04 days.

Dates:
Wednesday 16, Thursday 17, Friday 18, Saturday February 19, 2011.

Investment:
S / . 120.00 soles.

Includes: International Master Classes


Master Certification Papers.


Hours:
Wednesday 16, Thursday 17 and Friday 18 February
of 2: 00 pm to 5:00 pm
and

Saturday February 19 from 10:00 am to 1:00 pm

Held
Amateur Artists Association
Jr. Ica 323 Lima Cercado,
side of the Municipal Theatre (two blocks from the Metro Station Tacna)

Content:
- Workshops Classes Teachers:
methodological techniques, teaching and new forms of pedagogy for teaching folk dances in the classroom at an international level.

With the practice of folk expressions representing the countries invited to the II International Festival of Folk Dance as a couple LA FIESTA DEL SOL Y LA LUNA "Killa Inti Raymi 2011" by international teachers.

- International Papers
During the workshop, International Papers will be motivating theme:

"Fact folkloric staging"
(* Reality staged folk dance as a couple * Proposals teaching creative vision of development * folk dance on stage.)
To be held at the Auditorium of the Army Technical School-Chorrillos at 3:00 pm FREE ADMISSION



- Countries Workshop participants:
Panama. : PANAMA Ballet Folklorico.
Argentina: BALLET TUSHUY KAN.
Venezuela. : FOUNDATION MANGUAY.
Bolivia: Ballet Folklorico CEIC.
Colombia: ODEÓN DANCE FOUNDATION. SONIA
FOLK BALLET GÓMEZ.
Ecuador: Puruhá Folklore Group.
Mexico: GRUPO Manicaria PERICURI FOLCORE site.
Costa Rica: MI LINDA COSTA RICA.

Information and registration:
in the office of the Association of Amateur Artists
Jr. Ica 323 Lima Cercado, next to the Teatro Municipal
428-0432
aaaasociacion@yahoo.com
inti_killa_raymi@hotmail.com
or mailto: origenesdelperu@hotmail.com

Visit us:
http://intikillaraymi.jimdo.com/ii-taller-internacional-de-clases-maestras /
http://www.intikillaraymi.jimdo.com/


DG:
Juan Carlos Arce Valverde
Workshop Coordinators:
Teachers: Erika Acapana, Juan Carlos Godoy Basilio

Thursday, January 27, 2011

Purple Lines On The Inner Thigh

Film Center in February: Cycle "Film and Corruption"


Film Center in February presented
Cycle

Film and Corruption:
revaluation Ethics

films will be scheduled in various regions of the world that address the social reality of people and their development in situations of corruption, films will be announced realities of the people to see and analyze what MEMORANDUM our own actions and reflect on the need for a change of attitude.

February 2011 Thursday
7:00 pm.

General Admission
S /. 3.

in Room Theatre "Ricardo Roca Rey"
Association of Amateur Artists
Jr. Ica 323 Lima Cercado, next to the Teatro Municipal
(Two blocks from the Metro Station Tacna)

Reports:
428 - 0432


; Programming:

Thursday February 3
"Tropa de Elite " (Feature Film - Brazil)
Also:
Cineminutos against corruption ("pig" and "We're Watching")

Thursday February 10
"Sight" (Feature Film - Peru)
Also:
Cineminutos corruption ( "No load" and "Traffic Light")

Thursday February 17
"Question of Principles" (Feature Film - Argentina)
"Debt of the Dictators ( Short - Argentina)

Thursday February 24
"Hell" (Feature Film - Mexico)

film on next week: ;

ELITE TROOPS (03 February)
Director: José Padilha
Screenplay: José Padilha
Starring: Wagner Moura, Caio Junqueira, Milhem Cortazar, Fernando Machado, Maria Ribeiro, Fábio Lago, Fernanda de Freitas
Country: Brazil
Year:
2007 Length: 115 min.
Genre: Fiction
Language: English
Rating: PG-16 years

Synopsis: Captain Nascimento is in command of a squadron of the Special Police Operations Battalion (BOPE) an elite corps of the police in Rio de Janeiro whose mission is to monitor and pacify the slums of the slums before Pope John Paul II comes to visit. Captain Nascimento
tells us just how corrupt is the police and politicians who have agreed to gubernatorial offenders and drug dealers to the police raids in the slums. Nascimento wants to leave his post, as it is to be a father, but first needs to find a suitable replacement. To that end begins to instruct two honest cops and friends since childhood: Neto, who is a man of action, and Matthias, who studied law because he believes in the law. Together they enter the BOPE and fulfill their missions until the end.

Can You Trade Pokemon On Macintosh

"troublemakers Manobritas" Puppet Theatre of Figures and body

Ana Santa Cruz
presents

unruly Manobritas
Figures and Puppet Theater body


Friday and Saturday from February 2011
8:30 pm.


General Admission
S /. 7


in the Cafeteria
of Amateur Artists Association
Jr. Ica 323 Lima Cercado, next to the Teatro Municipal
(two blocks from the station's Tacna Metropolitan)

Reports:
428-0432


About the Show: ; ;
unruly MANObritas is a show with a touch of humor, short stories composed of diverse, personal themes and social environment of the author. People like the rapper, the walking-disco dancer, singer or Creole witch of the mooring, paint a Lima, noisy, chaotic, with lots of color and humor. To bring these characters to the scene calls for skills and resources of Figures Theatre, puppetry and physical theater
objects
is a one-man work created, directed and performed by Ana Santa Cruz.
see

About Ana Santa Cruz: ;
is an actress who graduated from the School of Drama Catholic University. Founder of the puppet theater group Mi Casa Encantada, has participated in several plays acting actors, under the leadership of José Enrique Mavila, Alfonso Santistevan, Luis Ramirez, among others, and director. In the field of puppetry has done successful productions for children, as Dientín Family Marionettes and . He joined Infinity Percent where it begins to develop adult puppet stories in the work Dolls Invasion. Was convened to participate in the company's Santa Knee, where he is developing theater and puppet figures bodily Manologías work under the direction Hugo Suarez. He has attended festivals in Peru, Brazil, Chile, Uruguay, Spain and Italy.




Wednesday, January 26, 2011

What Does A Community Service Letter Say ?

Film "The tree of the Swedes"

Film Center presents


Cultural Diversity Film Series
"All Races, All Cultures
for the centenary of the birth of José María Arguedas

Thursday January 27, 2011
7:00 pm.

"The tree of the Swedes"


General Admission
S /. 3

in Room Theatre "Ricardo Roca Rey"
Association of Amateur Artists
Jr. Ica 323 Lima Cercado, next to the Teatro Municipal

Information: 428-0432
visit http://aaalima.blogspot.com/

Sobre la film:
THE TREE OF SWEDISH
Original title: L'albero degli zoccoli
Director: Ermanno Olmi
Year: 1978
Country: Italy
Length: 150 min.
Genre: Documentary
Language: English
Screenwriter: Ermanno Olmi
Music: JS Bach
Photo: Ermanno Olmi
Starring: Luigi Ornaghi, Francesca Moriggi, Omar Brignoli, Antonio Ferrari, Teresa Brescianini, Giuseppe Brignoli, Carlo Rota, Pasqualina Brolis, Massimo Fratus, Francesca Villa
Awards: Palme d'Or and the Ecumenical Jury Prize at Cannes Festival 1978.

Synopsis: Masterpiece
Ermanno Olmi, who won the Palme d'Or at Cannes in 1978. The film takes place in the Italian region of Bergamo in the late nineteenth century, and describes with great sensitivity and actually the most worthy extraordinary life of the rural poor, who get ahead in difficult living conditions. The camera focuses attention on the group of families sharing a dwelling on land to the tenant must provide two thirds of their crops.
live in that community, among others, parents who reluctantly accepted the advice of the priest, who asked to send to school on her youngest son even if this means giving up its support for much of the day. A farmer tells tales every night and morning a grandfather teaches his granddaughter the art and wisdom of planting tomatoes.
While walking home from school, wooden shoes will break the child and the father has no choice but to cut, hidden pattern, a tree to make some new shoes to the son.
But one day discover the tree pattern carved ...

Monday, January 24, 2011

Nadine Jansen Morning Tits

II International Summer Dance Festival Festival

II International Festival
Dance Summer 2011
in AAA



Tuesday 01 and Wednesday, February 2, 2011
7:00 pm.

General Admission
S /. 10


in Ricardo Roca Rey Theatre Board
of Amateur Artists Association
jr. Ica 323 Lima Cercado, alongside the Municipal Theatre


Reports:
428-0432


About the Festival:
During five days the city of Lima is home to one of the most important traditional dance: the Second International Summer Dance Festival, to be held from January 1 to February 5, 2011.
This festival will begin with a show in the city of Chincha, on 30 January in the district of Pueblo Nuevo, and then continue his tour of various districts of the city of Lima. Dancing couples have been invited four fellow countries: Colombia, Chile, Mexico and Venezuela. Various genres that include folk dance, flamenco, tango dance nationalist and can be appreciated by lovers the art of dance.
also various dance groups in our city will accompany the international guests among which we mention: Fuego Andaluz, Inti Sumaq Center Native Art, Dance Fusion, Pacha Peru, Latin America in Dance Ballet, among others.
This event is an initiative of Ballet Dance English America, led by maestro Eduardo Ludeman and Cultural Promotion Olga Ignacio and has the important support of the Ministry of Culture, the Magisterial Pour the Escuela Nacional de Folklore "José María Arguedas ", the American Federation of Dance and the municipalities of Santa Anita and Miraflores.
Aficiondos Artists Association is one of the venues on the following dates:


Sunday, January 23, 2011

Fleetwood Travel Trailer Manuals

THE TIME OF "MISS HAPPY"

Summary: The new social phenomenon is analyzed here is this: European history seems, for the first time given to the decision of the common man as such. Or the active voice: the ordinary man, before directed, has decided to rule the world. Forward this resolution to the forefront of society has been produced there, automatically, just came to mature the new type of man he represents. If looking at the effects of public life studying the psychological structure of this new type of mass-man, is found as follows: l. No, a native print radical that life is easy, without limitation tragic, therefore, every average guy in it a sense of mastery and triumph, 2. º, invites you to assert himself as he is, take it for good and having completed his moral and intellectual. This contentment it takes to close for any external body, not to listen, not to question their views and others have not. Your domain intimate feeling constantly urging him to exert dominance. Therefore act as though only he and his ilk exist in the world, therefore, 3. º, will speak at all to impose their views without regard vulgar, contemplations, procedures or reservations, ie, as a system of "direct action."

repertoire features

This made us think in some ways be poor men, as the "darling" and the original rebel, that is, the barbarian. (The normal primitive, however, is the man more amenable to a higher level that has ever existed: religion, taboos, social tradition, custom.) It is not surprising that I need to build on this figure insults human. This essay is only a first attempt to attack the man triumphant, and the announcement that a few Europeans are going to stir vigorously against his claim of tyranny. For now This is a test only attack: the attack to come back later, perhaps very soon, much different from this trial takes. The attack has to come back so that the mass man can not guard against it, see it before it and does not suspect that, precisely that, attack is the background.

This character, who now walks everywhere and anywhere imposes its intimate barbarism is in fact the spoiled child of human history. The golden boy is the heir who behaves exclusively as heir. Now the estate is civilization - the comfort, safety in short, the advantages of civilization. As we have seen, only in the slack vital that it has made the world a man can come up for that repertoire of features inspired by this character. Is one of many strains as the luxury place in the human subject. Illusion would tend to believe that a life born in a world overrun would be better, longer life and superior quality that is precisely to combat the shortage. But there is none. For reasons archifundamentales very stringent and is not now time to state. Now, instead of those reasons, just remember the fact that is always repeated the tragedy of all hereditary aristocracy. The aristocrat inherits, that is, is attributed to the person living conditions he has created, therefore, not produced organically linked to their personal lives and their own. It is, at birth, installed, suddenly and without knowing how, through their wealth and their privileges. He is not intimately, nothing to do with them, because they come from him. They are the giant shell of another person, another living being his ancestor. And you should live as heir, that is, you have to use the shell of another life. Which is it? What life is to live the "aristocrat" of inheritance: his, or the initial hero? Neither one nor the other. He was sentenced to represent the other, therefore, to be neither the other nor himself. Lost their lives, inexorably, authenticity, and becomes in pure representation of another life or fiction. The surplus means is required to manage not let him live his own personal fate, wasting his life. All life is struggle, the effort to be itself. The difficulties encountered to make my life are precisely what awaken and mobilize my activities, my abilities. If my body is not weighed me, I could not walk. If the atmosphere does not oppress me, feel my body as something vague, flabby, fantasy. Thus, the "aristocrat" heir whole person envagueciendo will, for lack of use and vital effort. The result is that specific silliness of the old nobility, that does not look like anything and, strictly speaking, no one has yet described and tragic in its internal mechanism, the internal mechanism that leads to tragedy all hereditary aristocracy irremediable degeneration. Go

this just to offset our naive tendency to believe that the media favors spare life. Quite the contrary. A world of possibilities left automatically produce serious distortions and vicious types of human existence - which can meet the general class "male heir" of the "aristocrat" is but a particular case, and a spoiled child, and another much more extensive and radical, mass-man of our time -. (On the other hand, would benefit more detail the previous reference to "aristocrat" showing how many of the features of this, all peoples and times, are given in a germ in the mass-man. For example: the propensity to make employment central to life and sports games, the cultivation of your body - toilet system and attention to the beauty of the suit - a lack of romance in their relationship with women, fun with the intellectual, but at bottom, not be allowed and the lackeys or send thugs to scourge, prefer to live under the absolute authority to a system of discussion, etc., etc.)

insist, then, with sincere regret, to make do this man full of trends uncivil, that this newest Barbarian is an automatic product of modern civilization, notably from the way that civilization adopted in the nineteenth century. Has not come from outside the civilized world as the "great white barbarians" V century, was not born into it not by spontaneous generation and mysterious as, according to Aristotle, the tadpoles in the pool, but is its natural fruit. This law can be made that paleontology and biogeography confirmed: human life has emerged and progressed only when they had the means were balanced by the problems he felt. This is true, both in the spiritual than the physical. Thus, to refer to a dimension very specific bodily life, remember that the human species has broken out in parts of the world where the hot season was offset by a season of intense cold. In the tropics the male animal degenerates, and vice versa, the inferior races - for example, pygmies - have been pushed to the tropics for races after they are born and above in the scale of evolution.

Well nineteenth century civilization is such as to allow the middle man to settle in a world over which perceives only the glut of media, but not anguish. It is surrounded by prodigious instruments, medicines charitable, provident States, Comfortable rights. It ignores, however, how difficult it is to invent these medicines and instruments and to ensure future production, does not see how unstable is the state organization, and only if he finds in his duties. This imbalance will fake, empty it at the root of living, making him lose contact with the substance of life, which is quite dangerous, radical problematic. The most contradictory to human life that may appear in human life is the "gentleman satisfied." So when is the dominant figure, it is necessary to sound the alarm and announce that the life is in danger of degeneration, ie, death of relative. Accordingly, level is vital that Europe today is above all the human past, but if you look at the future, fears that or keep your height, or produce another higher level, but on the contrary, and falls back on lower altitudes.

This, I think, points out clearly enough the superlative abnormality that represents the "gentleman satisfied." Because he is a man who has come to life to do what he wants. In fact, this illusion is "the son of family." We know why: in the family, everything, even the greatest crimes, may be ultimately unpunished. The family environment is somewhat artificial and tolerates within it many acts in society, in the air of the street automatically would bring disastrous consequences for its author and unavoidable. But the "gentleman" is one who believes to behave outside the home and at home, which believes that nothing is fatal, inevitable and irrevocable. So think you can do whatever he wants. Big mistake! Vossa market will go to onde or Levemir, as they say the parrot in the story of Portuguese. Not that you should not do whatever he pleases one, is that you can do but what everyone has to do, it should be. The only thing it is to refuse to do that you need to do, but that does not leave us in franchise to do anything we want. At this point we have only a negative freedom of will - the will. We may well drop out of our real destination, but it is to fall on the lower floors prisoners of our own destiny. I can not make this evident to every reader on what your destination has individualísimo such, I know not every reader, but you can let them see those portions or facets of your destination that are identical to those of others. For example, all current European knows with certainty much more vigorous than that of all his "ideas" and "opinions" expressed that the current European man has to be liberal. Let's not argue whether this or other form of freedom that has to be. I mean, the most reactionary European know, in the depths of his conscience, that has tried to Europe in the last century with the name of liberalism is, ultimately, something inevitable, inexorable, that Western man today is, like it or not.

Although it is established with full and undeniable truth, that they are false and deadly all the specific ways in which it has tried so far make this imperative unforgivable to be politically free, registered in the European destination, still standing just the latest evidence in the last century was substantially right. This evidence latter acts the same in the European communist fascist by many gestures to do to convince or be convinced otherwise and acts - like it or not, believe it or not - in the Catholic, which provides more loyal adherence to the Syllabus. Everyone "knows" that beyond the fair criticisms that are fighting the manifestations of liberalism, is the irrevocable truth of it, a truth that is not theoretical, scientific, intellectual, but an order radically different and more decisive than all that - namely, a true destination. Theoretical truths are not only questionable, but its full meaning and force are to be discussed, born of the discussion, live as discussed and made exclusively for the discussion. But fate - which is to be vitally or may not have to be - is not discussed, but accept it or not. If we accept, we are authentic, if not accept, we are denying, falsifying ourselves. The destination is not what we wanted to do, but rather is recognized and shows its clear, rigorous profile in the consciousness of having to do what we do not want.

Well, the "gentleman satisfied" is about "knowing" that certain things can not be and yet, and therefore, pretend with their actions and words the opposite conclusion. Mobilized against the fascist political freedom, precisely because he knows it will never be lacking in the end and seriously but it's there, inevitably, in the very substance of European life, and therein lie the truth if needed, at the time of seriousness. Because this is the keynote of existence in the mass-man, the insincerity, the "joke." What do they do it without irrevocable, as does his antics the "son of the family." All this rush to adopt attitudes at all levels apparently tragic past, blunt, it is only appearance. Play to the tragedy because they believe that the tragedy is not likely effective in the civilized world. Well

out that we were forced to accept as genuine a person be what she intended to show as such. If someone persists in saying he believes two plus two equals five and there is no reason to assume insane, we must ensure that they do not, however much they scream and kill but to leave hold. A whirlwind of all-embracing general farce blows over the European homeland. Almost all positions are taken and are internally false boast. The only efforts made are intended to flee one's own destiny, to turn a blind eye to your evidence and your call deep, to avoid everyone the confrontation with that which has to be. We live humorously, and the more the more tragicota mask is adopted. There is humor wherever revocable living in attitudes that the person is not full and unreserved piling. The mass-man says not standing on the unshakable firmness of his fate, but rather, vegetables suspended in space fictitiously. Hence, these lives now as never before, without weight or root - déracinées of his destiny - to be carried away by the slightest current. Is the time of the "pattern" and "being dragged." Almost no one is resistant to surface eddies that form in art or ideas, or politics, or social customs. Therefore, more than ever, wins the rhetoric. The surrealist believed to have exceeded all literary history when he wrote (here a word that is not necessary to write) where others wrote "jasmine, swans and faunesas." But clear is that this has only lead to a different rhetoric so far lay in the latrines.

note clarifies the current situation, despite the singularity of its appearance, the portion that is common with others in the past. So it happens that only reaches its maximum altitude Mediterranean civilization - to the third century BC -, appears cynical. Diogenes with his sandals kick mud fed Aristippus carpets. The cynical character became a swarming, which was around every corner and at all heights. Now the cynical, did nothing to sabotage that civilization. Hellenism was nihilistic. Nor did anything ever created. His role was to undo, or rather, trying to undo, I had not achieved his goal. The cynic, a parasite of civilization, lives by denying it, therefore he is convinced that will not fail. What would a savage people cynical about where all naturally and seriously, do what he, in farce, considers his personal role? What is a fascist if you do not speak ill of freedom, and if not perjured surrealist art?

could not behave otherwise this type of man born into a world very well organized, which sees only advantages and no hazards. The edge that spoils him, because it is "civilization" - That is, a house - and the "son of the family" did not feel anything that makes you leave your mettle capricious, inciting to listen to external instances superior to him, let alone that requires you to make contact with the bottom inexorable their own destiny.

"THE REVOLT OF THE MASSES"

XI) - THE TIME OF "MISS HAPPY"

JOSE ORTEGA Y GASSET

Photo: Table of Botero

Saturday, January 22, 2011

Dark Yellow Foamy Urine

glitches ... momentary?

from here I wish to inform that Page the Patriots has suffered a "momentary problem "¿¿¿???? or so we have heard from the Support domain and according to them will be solved in 48 hours. I would appreciate all that you have a blog or any forum in the you act you give to this communication. The administrators of the page you apologize without having very clear that we be that we have to ask. Hopefully soon and during the weekend is operational again page. You know ... barking, then ride.

Monday, January 17, 2011

Yokohama Advan A10 Summer Tires

Bloods All in tribute to Jose Maria Arguedas


Arts Festival
all bloods
On the centenary of José María Arguedas Apu Our


Tuesday January 18, 2011
from 2:00 to 10: 00 pm.


In the Plaza San Martin Lima Cercado


1:00 pm.
Concentration in the Pasaje Santa Rosa Parade
to start from the Plaza de Armas to the Plaza San Martín
involving: Scissors Dancers, Native Instruments Tarkas, Sikuris July 18, SuriManta, Yawar Cultural Association, Waytay , Experimental School of Mime, Tárbol Puppets, The Moth, The Mandrake and Artists who wish to join.

from 2:00 pm. until 10:00 pm.
in the Plaza San Martín
Presentations Artist in four scenarios

Scenario 1:
Surimanta
Dance Tijeras
Cast Dance of San Marcos
Native Instruments Tarkan
sikuris 18 Julio
Music
Afroperuana
Gerson Paredes
Cosmic Radio
Luis Henrique Alvizuri
La Onda Family
Juan Luis Rene Dammert
Furnier
Norka Monzoni
Maritza Carbajal Tamani
Carmela
Amazon Music
Takanamanta
Montalvo Piero
The New Invasion
Carlos Hidalgo and Cesar Calderon
Los Cholos
Chalena Vásquez
Rafo Raez
Hatum Taki
Firetree
Eden Circus
Shakk
Schrodinger's Box Mayday
Air
Kade
intraterrestrial and The Black Souls Del Pueblo
Puramerk
Flamethrower
Uchpa Fredy
Mojave
Eka Horna
Fraud Amanda

Scenario 2
Cultural Association Yawar
Experimental School of Mime
Tàrbol puppetry
Moth Butterfly Project-Eclectica-art
Castor
Waytay
The
Micaelas
Frank Turlis
Mariana Lucia Willy
Ricardo Gómez
Charo Quesada Paloma
Hector Ñaupari


Scenario 3 and 4:
Inri Art Collective Art Collective
Monsters Collective
Equity Collective
Collective Collective Collective
Citium Fanzines
Peru
Collective The Collective
Marginal Cardboard
Cholo
Collective Front
Antitaurino
Wauqui
Collective Collective The
Micaelas


organize
AEA
Strategic Alliance of Artists (the underworld of artists Supporters Association, Experimental School of Mime)
CONAIP Conferederación of Indigenous Nationalities of Peru
CEAN Student Center of Anthropology of the Universidad Nacional Mayor de San Marcos


participate
Ayllus Coordinator and Panacas
MDTP-PERU
Global People Movement For Mother Earth Chapter Peru

Sunday, January 16, 2011

Stores That Have Layaway

PROPAGANDA IN THE CIVIL WAR

is the propaganda war during the performance-based piece of movement, without it there could have been performing many of the projects was aimed at both direct participants of the contest , Fighters, and citizens without military framework as big business and small business, likewise the propaganda served an important role in each of the sections of the Falange.

used propaganda as a means to fight the enemy, instill fear, to get more adhesions, more members and more fighters on the front, for economic revenues through postulates, through charitable acts cultural and sports help the militia, in front, for all disadvantaged etc ...

From the first day, July 18, 1936, using the propaganda in the media media-press, radio to ensure adherence to the movement that had just begun. In the newspaper La Nación, Body Press Falange de las JONS, published in Santa Cruz de Tenerife, in the first issue that comes to light on August 24, urged citizens to work as good English, with special emphasis on the Catholic question and traditions, which had to defend and even sacrifice for them, "We are primarily English, and by the English, Catholic Keepers of Honor and traditions of our nation has to live in their centuries of own life, based on the source of their immortal essences "calls" the canary people help and assistance and guidance "in the greeting to the people of Tenerife are offered" solidarity and support in the professional zeal "and emphasizes the rebellion as justification for the murder of Calvo Sotelo" the first victim errors of hatred and Marxist degeneration. Today, Calvo Sotelo pay tribute to all those heroes and super-duper Phalangists, soldiers, writers, artists and illustrious men, victims of love for Spain have been killed ... "" encouraging with the last verse of our hymn: THAT IN SPAIN BEGINS TO DAWN "The Rise thus making the "title" of a "historic day of regeneration and salvation for our country" (Data No. 1 issue of The Nation, 1936, entitled "Health", p. 2 and 3).

propaganda reflecting the points of the United JONS: 1-

unit of Spain's resounding ,2-Forcing individuals and social groups must be subordinated to the purposes of the Fatherland, 3 - Maximum respect for Religious traditions of our race, 7 - The extermination and dissolution of the Marxist parties, considering them anti-nationals and traitors, 17 - strict punishment for those politicians conducive to national dismemberment treacherously ,18-That political controls other high responsibility should be entrusted to a preferred mode, the youth of the country.

The summary of these points is well explained in this sentence "PHALANX program SPANISH: austerity, sacrifice, spiritual and moral training of the individual and society, high concept of the nation."

During the first months after "National Uprising" the Provincial Militia (Militia Barracks) was in the Calle San Vicente Ferrer, information and propaganda to the population was produced and distributed from the Section of Press and Propaganda of the English Falange de las JONS on Calle San Lucas n º 29 (Barracks Falange) of Santa Cruz de Tenerife, took care to give information of the news coming from the front, to foster patriotism and exposing citizenship on their part to enlist in their ranks. "False English destroy our country. Must be defended with their lives if necessary. Alistaros in English Falange! Spain! ".

Saturday, January 15, 2011

Zippo Dries Out Quick



Film Center presents


Cultural Diversity Film Series
"All Races, All Cultures
On the centenary of the birth of José María Arguedas


Thursday January 20, 2011
7:00 pm.

fellow,
Blood Companion
(Feature)

besides

Mamasunción
(Short)


General Admission
S /. 3

in Room Theatre "Ricardo Roca Rey"
Association of Amateur Artists
Jr. Ica 323 Lima Cercado, next to the Teatro Municipal
Two blocks from the Metro Station
Tacna

Information: 428-0432
visit http://aaalima.blogspot.com/


About the films:

fellow, PARTNER OF BLOOD
Address: Rómulo Franco
Country: Peru
Length: 60 min.
Genre: Documentary
Language: English
Synopsis:
documentary that shows through interviews, the last days of Jose Maria Arguedas and the events after his suicide. Collect the views of scholars and people close to Arguedas, as Sybila Arredondo (on stage at the Catholic University of Chile where he frequented), the priest Enrique Camacho, central character in "The fox and the fox up and down" , and Hildebrand Ibanez Arguedas mate at school Abancay Miguel Grau.
All this material is the result of patient research from the Archives José María Arguedas Central Library of the Pontifical Catholic University of Peru, led by Carmen María Pinilla. Short



MAMASUNCIÓN
Address: Chano Piñeiro
Year: 1984
Language: Galician, English subtitles
Genre: fiction
Length: 20 min.
Country: Spain
Synopsis: Mamasuncion is an old lady of Galicia, Spain, every day, for forty years and at seven o'clock in the evening, goes to the offices post awaiting a letter from his son who emigrated to Mexico in America. The letter seems to take forever, until one day the postman delivers a long awaited letter Mamasunción. In it he reported that his son died and left him a large inheritance ...



Next Date: ; ; ;


January 27, 2011 - THE TREE OF Ermanno Olmi SUECOSLargometraje

Thursday, January 13, 2011

Big Short Poofy Dresses



Dawn 1939

Wednesday, January 12, 2011

Sims 3 Relic Of Eternity

Cinema film center Center presents "All Races"

Film Center
presents

Cycle Cinema and Cultural Diversity
"All Races, All Cultures
for the centenary of the birth of José María Arguedas



Thursday January 13, 2011
7:00 pm.

All Races
(Feature)
besides

Pongo The Sleeping
(Short)


Entry General
S /. 3

in Room Theatre "Ricardo Roca Rey"
Association of Amateur Artists
Jr. Ica 323 Lima Cercado, next to the Teatro Municipal

Information: 428-0432
visit http://aaalima.blogspot.com/

About the films: ; ; ;


ALL BLOOD
Address: Michel Gomez
Country: Peru, France, Belgium
Year: 1986
Length: 112 min .
Genre: Fiction
Language: English
Starring: Ricardo Tosso, Julio Vega, Rafael Delucchi, Alencastre Andres, Juan Manuel Ochoa, Oswaldo Sivirichi, Pilar Breschi, Esmeralda Checa, Edgar del Pozo, Gabriel Figueroa, Denise
Hart Synopsis:
Movie based on the novel by José María Arguedas in which many stories are interwoven, whose theme is the crisis of authority gamonal, the peasant population growth and migration from the mountains to the coast. Short



PUT THE DREAM OF
Address: Santiago Álvarez
Writer: Santiago Álvarez, based on a story by José María Arguedas
Country: Cuba
Year: 1970
Duration: 11 min .
Genre: Fiction
Language: English
Synopsis:
An Indian man Pongo goes to work (servant) and his employer owns a large house in Peru.
The dreams get the punishment they will receive the pattern, for the evils he has committed, after both have died.



Upcoming Dates: ; ;


January 20, 2011
- BROTHER PARTNER, PARTNER OF BLOOD
Rómulo Franco
Documentary - Short
MAMASUNCIÓN Chano Piñeiro

27 January 2011
- THE TREE OF SWEDISH Feature Film

Saturday, January 8, 2011

White Dot Facebook Chat

Puppet Group Colombo-Argentino "El Patio" of the AAA


Puppet Theatre The Mandrake
(Group Colombo-Argentino)
presents

The Language of the Birds
a play for all age groups

Friday January 14, 2011 7:00 pm
.


FREE ENTRY
out with Hat


in "El Patio"
of Amateur Artists Association
Jr. Ica 323 Lima Cercado , next to the Teatro Municipal
(two blocks from the Metro Station Tacna)

Reports:
428-0432


Sobre la Obra :
A serious danger threatens the forest. Avatsiu invasion, demon of money, has begun capturing the songs of birds to sell in the city and a good price. The Community of the Birds, with Madremonte try to stop it. Only a human child will find hope.
"The Language of the Birds" is a play for the whole family with glove puppets, mouth-articulated vision and animation theater actors, is the brainchild of Puppetry The Mandrake, inspired by the Xingu Indian myth "O Linguagem two Pássaros" compiled by anthropologist Villas-Boas.
"Language of Birds" was released recently at the Museo Rayo (Roldanillo-Colombia) and has been touring in various cities presentations a tour that runs through Argentina.
Writer: David Germain Clavijo
plastic Design: Yamile Ranzoni
construction Accompaniment: Puppeteers Carlos Benites (Peru) and Karina Noya (Bolivia)
Puppeteers: David Germain Yamile Clavijo Ranzoni and

About the Group
Puppet Theatre is made up of The Mandrake: Yamile
Ranzoni, social anthropologist and puppeteer. He studied Social Anthropology at the University of Buenos Aires. He has served as workshop leader and facilitator in various activities related to popular education. He has also explored the world of Butoh (Japanese contemporary dance) and has been investigated from the social theory the relationship between body art and experience.
And David Clavijo Germain, writer and puppeteer. He studied Literary Studies of the Universidad Nacional de Colombia. He has served as a promoter of reading for teachers and children, as a bookseller, and as a cultural promoter, creating and managing a cultural space for the youth in his hometown Open House. In late 2007 the National University of Colombia published his first book of poems The afternoon and the mountain-Choice of three books.

Wednesday, January 5, 2011

Gay Hookup Spots In Jacksonville






Cinema Center presents




Cultural Diversity Film Series
"All Races, All Cultures
by Centennial Birth of Jose Maria Arguedas




On January 4 Movies about José María Arguedas and his work


started:


Thursday January 6, 2011 7:00 pm
.


Yawar Fiesta









also the

Short Film "First Time"


General Admission
S /. 3


in Room Theatre "Ricardo Roca Rey"
Association of Amateur Artists
Jr. Ica 323 Lima Cercado, next to the Teatro Municipal




Information: 428-0432

aaaasociacion@yahoo.com
visit http://aaalima.blogspot.com/




About the films: ; ; ;





Yawar Fiesta

Address: Luis Figueroa

Screenplay: Luis Figueroa

Country: Peru

Year: 1982

Length: 100 min.

Genre: Fiction

Language: English - Quechua

Starring: Jorge Acuna, Julio Benavente, Adelino Vivanco, Victor Zavala

Company: Pukara

Film Photography: July Lencina, Eulogio Nishiyama

Edition: Victoria Chicon, Fernando Espinoza

Music: Daniel Escobar

Sound: Fernando Espinoza



Synopsis: secular conflict between two cultures in a village in the Peruvian Andes: the English culture and the Andean culture, represented in the double idiosyncrasies, material and magical at the same time.

The Yawar Fiesta (the feast of the blood) is a bullfighting was born in the Viceroyalty of Peru after the introduction of the bull by the English in America. It is believed that the ceremony itself bloody born by the impotence of the commoner to the abuses of gamonal, then a kind of symbolism, comes the party where the condor (representing the villagers suffered) the suffering that comes Tipping the gamonal (Represented by the bull) that ends up dying during the ceremony.










Short


FIRST

Director: Octavio Cortazar

Country: Cuba

Year: 1968

Duration: 9 min.

Genre: Fiction

Language: English

Synopsis: Shows the experiences and emotions of a rural community in the mountains of eastern Cuba, where "first" hits the cinema. Thanks to the "movie theater, the viewer can laugh, mourn and excited to see a movie for the first time in his life, whether children or adults who see in" Modern Times "by Charles Chaplin movie magic happy their lives.