Friday, November 27, 2009
Friday, November 13, 2009
Melina Velba German Beer
"An exercise in composition: Polyxena and the little cook" Alfonsina Storni
*
Act I:
Intermediate:
Epilogue :
We intend to pursue this work of Alfonsina Storni under the University Extension (Dramatic Arts, IUNA) by opening a space in University Theatre the Ciudad Autónoma de Buenos Aires. Our intention is that works of art college students in the area of \u200b\u200btheater can be seen in the theatrical field in the city. We would facilitate the arrival of the theatrics that can arise in a public university in Buenos Aires theater. We believe that the university theater does not yet have direct communication with the broad cultural groups in the city, with this project we aim to provide impetus and make way for the large number of university students engaged in theater living in it.
Saturday, July 11, 2009
Can I Take Canestan While Breastfeeding
Company
Object Distance
a scenic
Presents
THE BRAVE CUY
stage
Drama *
Cologne and Oscar Carlos Pacheco.
* Free version for the stage from the original story
"El Cuy Brave Albuquerque and Leyla
Marcos Torres
WORK
After hearing the incredible stories of grandfather cuy, Mirch, decided to go for the guinea pig and his faithful sidekick Brave fox Garkun, heading towards the country of penetrating golden seals of places did not know.
And just with the first encounter is with a fox which he discovered as Garkun, Mirch then asks him to take to meet the Cuy Valiente atina surprised the fox not to eat first and rather to see it resolved and determined, accompany you in your search.
Thus, two paths are separated or together lead us to know different characters in the Andean region of Peru, participating in the adventures around the ideal of the little guinea pig to her final journey. The story
theater
This work is a free version adapted for the stage in the story entitled "The Brave Cuy" and that part of the original author's permission: Leyla Albuquerque and Marcos Torres and company publisher who owns the economic rights of the same, Editorial Norma.
THE STAGING
the story to the staging where it interacts with the shadow theater. Provides an environment for proposals imagination to rediscover how and who is behind this dramatic animated action. Presence of characters on stage, dance, theatrical language different colors and Andean music, giving rise to this beautiful story is also remarkable for their "courageous" human values.
DIRECTOR
Oscar Landa Pacheco
for 19 years maintains a constant theatrical work. He has studied in acting, dance, stage direction and theatrical education, develop professionally in each of these areas, performance has performed in multiple performance space with a variety of proposals. Working in television, film, radio and events. As a teacher takes about 10 years teaching through art, children, adolescents, young adults and people with different skills.
For him, the role of professional work is to use the tools of the art of theater to recreate real possibility that the human individual disclosure for themselves and their culture, activating the processor and be able to generate more communication skills.
Stage Management Theatre School at the Catholic University. Performance.
National School of Drama. Theater pedagogy.
Latin American Center for Theatrical Creation and Research. Argentina.
Theatre National University of San Marcos. Philosophy.
Groups and Institutions: The Tarumba, Integro Group, Ballet Municipal de Lima, Terpsichore, Generarte, among others.
ACTORS
Liliana Albornoz
Anabeli Pajuelo
Costumes Ruth Ugarte
Figures shadow Object Distance Co. Graphic Design
Marcos Torres
Muzicalization
Oscar Pacheco Alvaro Hurtado Sound
ProductionFany Rodriguez Ruiz Oscar Pacheco
Address Landa
2009 SEASON
Place
LIBRARY AUDITORIUM THEATRE THE MUNICIPALITY OF SAN ISIDRO CALLE
REPUBLIC 455 THE OLIVE
Dates
OF AUGUST 8 TO 27 SEPTEMBER SATURDAY AND SUNDAY
4pm
Tickets in Teleticket and the theater box office one hour before each performance
CONTACTS
Fany Rodriguez Ruiz
Production 981 189 632 988 875 000
fanyrodriguezruiz@yahoo.es
Oscar Landa Pacheco
Address
4024431 993 494 181
teatroritual@gmail.com
Web:
http://elcuyvaliente-teatro.blogspot.com
Friday, July 3, 2009
Esc Nc Weekly Certification
REGISTRATION OPEN!
Called "Theatre Workshop" since it is a course open to the community, which proposes an approach to acting. For this very reason no previous knowledge required. Led by Lorena
Ballestrero.
Hours: Thursday from 18.30 to 20 hours.
Location: APdeBA, Maure
1830 - Tel: 4775-7985 - http://www.apdeba.org.ar/
Information and registration: (011)
155-508-4935 Fee: $ 160 - per month . Lorenaballestrero@yahoo.com.ar
Thursday, July 2, 2009
Request Letter For Disconnection Of Line
GENERAL MOTION
will work on the preparation and physical availability of the actor. Improvisation and character building.
An open transit different currents acting, promoting personal choice of the future actor or actress.
This workshop offers a journey that expands the possibilities of approaching the scene.
beginner is expected to achieve a general approach to the theater and recognize its own expression.
Information: (011) 155-508-4935 / lorenaballestrero@yahoo.com.ar
Tuesday, March 31, 2009
2010 Movies En Espanol
OPEN ENROLLMENT 2011
Theatre Workshop
The annual Theatre Workshop Live Search will point to a class by class, with the body, voice, rationality and the soul. We know it's an art that has the body as an instrument in its entirety, but we have to learn is how to use this instrument, with the awareness that each instrument is unique and individual. Therefore it is a way for a single side group on the other hand, as the communion of these individuals is one hundred percent necessary because it is an art collective which the sum of the differences resulting in a beautiful work and a lucid actor.
I invite you to join this trip, which will not be bored as long as they play.
To make the actor perform the way you first have to have tools, which arise from different theatrical techniques.
one hand physical exercise will go through different stages and methods for management to have a body conscious, and unconscious to generate new universes.
vocal training parallel to the body will undoubtedly need to what is said is as important as what is done. The word must be an action, that in need, setting a path in history.
rational weight training for the actor to develop intelligence and intellectuality of the Theatre, about what you do in theater.
This year we will add one other area art teacher once a month for us to come and give a seminar in which we have a glimpse of different arts to the thus enriching our knowledge. And to borrow or inspired all factors used to build a play.
Nearing the end of a stage group organizations in the sample end of the year, which will basically give the student a part of learning has to do with the public. This stage is also learning and not ending because after many "samples" to the public can understand that this is the theater or rather that it be an actor.
This year we will work with different groups, mixed adults and children. The division is made after a personal interview or telephone. Is evaluated for different reasons referral to any of these three groups.
These lines are made just for information and an overview about our workshop. You are invited to come and do a free class to see and feel that it is specifically and evaluate our walk.
Love, Sara
Calla.
2011 Open enrollment, start of classes in the month of March.
Hours:
Beginner Level Group I, 16hs to 18hs Saturday, Lanús Oeste.
* *
Group
Advanced Level II and Level III, Friday from 20 to 23hs, Lanús Oeste.
* *
Teens Group, 18hrs a 19.30hs Friday, Lanús Oeste.
* *
Adult Group, 14hs to 16hs Saturday, Lanús Oeste.
* *
Podes connect to 4-247-0079 / 15-5-037-2334
Saturday, March 21, 2009
Financial Accounting Libby Solutions
A workshop for kids to explore acting and theater games
and expand their expressive capacity.
A year to organize a sample of what worked and learned.
Registration:
By mail: lorenaballestrero@yahoo.com.ar
or telephone: 155-508-4935
During the year we will work with different challenges for research proposals and characters, situations and theatrical texts. Feature